Public Eye(i)

In a polluted post-truth era, internet traffic and visibility are heavily intertwined with heightened emotions. Pulled in by our devices, we navigate a hyper-normalised world of mirrors and projection surfaces, orbiting around one another, never colliding. Unable to log off, we find connection through categories and avatars. Absentmindedly identifying with aesthetics, social capital, and the making or spending of money. Drama/spectator. Celebrity/follower. Fame/infamy. Social capital/attention economy. Public Eye(i) asks what is scripted in our lives? Who gets to log off? Who is speaking through me? And who is speaking through you?