


This exhibition continues Nadia Hernández's exploration of memory and its relationship to personal, historical and shared experience. Drawing on her own stories, Venezuelan cultural archives, and the diasporic conditions that shape her sense of belonging, her works take the form of textiles, paintings and multidisciplinary installations. For this Sydney premiere, Hernández presents an evolving project centred on Venezuelan protest songs, musical traditions and the complexities of displacement and connection. Across an immersive textile collage, mural and soundscape, she reconstructs phrases from an archive of protest songs into fragmented poetry, revealing how resistance is encoded in music and remembrance.
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